Kamera Naruse yang tidak pernah bergerak mengingat kan saya akan Ozu, tapi penyuntingan beritmenya…. Some strong performances though at times a little melodramatic in a way that didn't work for me but really good movie here. When a Woman Ascends the Stairs Criterion 377 1960 / B&W / 2:35 anamorphic widescreen / 111 min. She gives herself entirely to her work, body and soul and heart and…. A beautiful and moving character study of a brave, young woman trying to maintain her dignity in an unforgiving and competitive Japanese society, where she have to make choices that contradict her own values and principles. The Battle of Chile Part One represents all three parts. When a woman ascends the stairs, she steps into the den of lions. Made by fans in Auckland, New Zealand. A woman that holds her head high, no matter what life throws at her... or what men throw at her, you could say. According to Ruben, a coworker who also happens to know a lot about cinema, Naruse (1905-1969) is, after Kurosawa, Mizoguchi and Ozu, "the 4th and often forgotten great Japanese director". Nuansa sendu mengalir secara perlahan sepanjang filmnya. Movies about/starring women and girls of all ages. Japan 1960. is a 1960 Japanese drama film directed by Mikio Naruse. Keiko is motivated and very good at her job, but every step she takes is negotiated with a series of men -- to succeed at her job she needs to appeal to them, to…. 1,507 films 7,237 123 Edit, Constantly updating. An incredibly moving film. Picks up significantly in the last half hour, which feels oddly crammed with melodrama as it heaps disappointment after disappointment upon our protagonist, who nevertheless ends the film bravely putting on a happy face. Rich businessmen, cocktails and soft jazz playing in the background. 1960 They are consequences of a male dominated society, of objectification, of callousness. No one can stop her from trying to ascend those stairs, even if she always finds herself at the bottom. More details at Put it on your watchlist. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. So much emotion delivered with constraint, unyielding yet conflicted as she seems to brilliantly portray every emotion and/or feeling known to humans. The main tragedy in this is that Keiko's limitations are entirely artificial. Like a constantly smiling Setsuko Hara looking for solutions to her seemingly inescapable economic, social, emotional and marital situation, surrounding circumstances pushes her to her limits and that is where the real character study unfolds and lets Takamine's stunning acting abilities to flourish, including those of bursting into tears. Here is an up-to-date…, Juan-Carlos Arias 350 films 1,537 40 Edit. Report this film. © Letterboxd Limited. This is all accentuated by a classy score and evocative cinematography that brings Ginza to life. You feel the sleaze; you feel the glamour and you feel, most importantly, transported. Thank you! Mobile site. It's my first time seeing a Mikio Naruse film, also first time seeing the beautiful Hideko Takamine on screen. "When a Woman Ascends the Stairs" turned out to be extremely modern and easy to watch. And her options for funding are entirely dominated and decided by men, all of whom want things from her they have no right to, no reasonable claim to. When a Woman Ascends the Stairs, for instance, abounds in familiar faces not identified either in the booklet or the subtitles. It really seems to reflect a particular time in post-war Japan, with everyone so obsessed with money and what they can get for it, the human tolls are brutal. When a Woman Ascends the Stairs 女が階段を上る時, Onna ga kaidan o noboru toki) is a 1960 Japanese drama film directed by Mikio Naruse. One of my favorite Naruse films, featuring a remarkable performance by the great Hideko Takamine. Keiko has a quiet dignity that attracts men, but are they what they seem? She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. I mean where do I start? When a Woman Ascends the Stairs (女が階段を上る時, Onna ga kaidan wo agaru toki?) And the film matches her quiet, graceful elegance with its austere tone and disposition, aided in part by a smart, jazzy xylophone score. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Another great piece from the Japanese New Wave, and what a year 1960 was. Darren Carver-Balsiger 413 films 1,742 302 Edit. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. They are consequences of a male dominated society, of objectification, of callousness. The veil of social decency morphs into a veil of affection, relations predicated on the commodity of love making true human connection impossible to find. "When a Woman Ascends the Stairs" is set in a world that seems just as polished and sophisticated as Naruse's craftsmanship when it comes to films. Updated: December 21, 2020 Created: January 19, 2013 View More Lists Follow Me, The Criterion Collection is a video distribution…, juliodogpit 1,001 films 12,394 538 Edit, UPDATE--------------------------------------------------------------------------, Check out also: The 100 Greatest Documentaries, ranked as objectively as possible The 100 Greatest Directors The 100 Greatest…, gabriel guimarães? When a Woman Ascends the Stairs merupakan sebuah gambaran pesimis mengenai kehidupan dan perjuangan para wanita. We follow Hideko Takamine's tragic character ( Reminded me of Ozu-hara, Machiko-Mizoguchi) , a career cut out for a male dominated society, trying to establish her Independence. Theatrical trailer for When a Woman Ascends the Stairs. Rules: 2.500+ ratings Non-English-Language Films, *Updated 12/15/20* Working my way through the entire Criterion Collection one spine number at a time. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. Directed by Mikio Naruse. Nuansa sendu mengalir secara perlahan sepanjang filmnya. TMDb Als ze niet haar hele leven mannen wil vermaken, zal ze moeten hertrouwen of eigenares worden. Plot Keiko, a young … Yoshifumi Tajima Akira Tani Mitsuo Tsuda Haruko Tôgô Keiko Yanagawa Michiyo Yokoyama Kyoko Mori, Die Mädchen der Ginza, Cuando una mujer sube la escalera, Quand une femme monte l'escalier, Onna ga Kaidan wo Agaru Toki, 111 mins Hideko Takamine Masayuki Mori Reiko Dan Tatsuya Nakadai Daisuke Katō Ganjirô Nakamura Eitarō Ozawa Keiko Awaji Chieko Nakakita Jun Tatara Yû Fujiki Masao Oda Ken Mitsuda Chikako Hosokawa Sadako Sawamura Kyū Sazanka Noriko Sengoku Kin Sugai Toshiko Higuchi Noriko Honma Natsuko Kahara Machiko Kitagawa Rumi Konishi Takuzō Kumagai Fumie Noguchi Yutaka Sada Akira Sera Toki Shiozawa Ayumi Sonoda When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour—a delicate, devastating study of a woman, Keiko (played heartbreakingly by Hideko Takamine), who works as a bar hostess in Tokyo's Note: The list excludes mini-series, documentary, animated and short films. I can handle the truth. Here is an up-to-date…, Juan-Carlos Arias 350 films 1,538 40 Edit. When a Woman Ascends the Stairs - Weduwe Keiko is een ‘mama-san’, barvrouw in de rosse buurt van Tokio. Read, review and discuss the entire When a Woman Ascends the Stairs movie script by Ryûzô Kikushima on Scripts.com Synopsis: This is the story of Mama, a.k.a. That is how I ended up watching "When a woman ascends the stairs" (1959), by Mikio Naruse. Mobile site. Anybody claiming to be a hardcore fan of Japanese cinema must recognize the name and talent of the great Hideko Takamine, who stars in her role as Keiko, a woman that seems to be deprived of options. It seems that their many collaborations are comparable to that of Setsuko Hara and Ozu, I look forward to experiencing more. A stylish appearance masking a harsh reality is a persistent theme here. I mean where do I start? In one blurb I read online, she plays an "ageing Ginza bar hostess", but Mama-san, as she's known (her real name is Keiko), is just turning 30; her nickname suggests the blurb may not be inaccurate, but if so it's very much just another commentary on the society depicted in the film. The veil of social decency morphs into a veil of affection, relations predicated on the commodity of love making true human connection impossible to find. Fortunately, it never feels forced nor too sentimental, which the story might suggest. A woman that holds her head high, no matter what life throws at her... or what men throw at her, you could say. But this is not a wholly pessimistic film. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Both options Directed by Mikio Naruse. Now I see why lumenal loves this film so much, campaigning passionately for this to be the starting point of my venture into Naruse's filmography. "When a Woman Ascends the Stairs" turned out to be extremely modern and easy to watch. Rules: 2.500+ ratings Non-English-Language Films, *Updated 12/15/20* Working my way through the entire Criterion Collection one spine number at a time. She gives herself entirely to her work, body and soul and heart and…. Its beautifully shot and elegantly scored, it moves very quietly and patiently, but there's enough visual beauty and emotional, human drama to keep the viewer involved. Fortunately, it never feels forced nor too sentimental, which the story might suggest. I think it shows powerfully a woman's role being limited by having to navigate men to get anywhere. The performance by Hideko Takamine is powerful, she's a charismatic woman and she inhabits the screen with such grace and force. Hideko Takamine is perfect in the main role, taking on specific and symbolic weight with naturalistic brilliance. It was a shame to watch men build rules, boundaries and trap women, who were dealing with their own opressive counterparts/older generation. To ascend seems poetic, glamorous and classy - but really it is just a climb. Movies about/starring women and girls of all ages. The film offers a fascinating glimpse into what that world might look like from an insider's point of view. © Letterboxd Limited. When a Woman Ascends the Stairs, made in 1959, is the culmination of a run of masterpieces Naruse reeled off in the 1950s. One assumes that Takamine's own experience, having been in the business for three decades by the time she made When a Woman Ascends the Stairs, gave her a special connection to Mama. Even lying here, thoughts of bills torment my dreams. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older. Though I still believe When a Woman Ascends the Stairs is my favourite, this one would still be up close. But appearances can be deceptive, and in this world we follow the life of Keiko. I've been putting off watching this because I thought it was going to be quite a formal and serious affair based on the poster and title, but I knew I was wrong the moment the jazzy theme started playing to the opening credits. - Gorgeous b&w cinematography, slow af slow cinema that took me multiple tries to finally sit down and finish all the way through. Does she actually have choices? takamine's mama-san may be an easy character to feel sorry for, but her motivations contain enough complexity that once should guard against that. If you know of something I should add, or I added something erroneously here, please let me know…, Jayce Fryman 18,683 films 3,125 102 Edit, This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. She enters a world of objectification, where patriarchal systems take on a cynical new air. Keiko, a middle-aged bar hostess who must choose to either get married or buy a bar of her own. This review may contain spoilers. takamine's mama-san may be an easy character to feel sorry for, but her motivations contain enough complexity that once should guard against that. Let alone being into professions where society looks down upon. Each route has dangers, including investors demanding a return on their loans. List is mainly female protagonists, but also includes some films where a…. Men are f**king cruel. I weep for every woman that has been employed by a bar. She's of an age when she must choose: to seek marriage (difficult given her tarnished occupation), to be a kept woman, or to borrow money to buy a bar of her own. Di awal memang tidak terlalu jelas, namun - Gorgeous b&w cinematography, slow af slow cinema that took me multiple tries to finally sit down and finish all the way through. In one blurb I read online, she plays an "ageing Ginza bar hostess", but Mama-san, as she's known (her real name is Keiko), is just turning 30; her nickname suggests the blurb may not be inaccurate, but if so it's very much just another commentary on the society depicted in the film. Does she actually have choices? And many other Mikio Naruse films. I can handle the truth. Thank you! When a Woman Ascends the Stairs yang katanya merupakan magnum opus dari Mikio Naruse, menjadi pembuka saya dalam menjelajahi film karyanya. Even when the women in her life take from her, they…. When a woman ascends the stairs, she steps into the den of lions. Films where a city defines the film to the point where it becomes an integral character. Film data from TMDb. I love this film. They are imposed. It was a shame to watch men build rules, boundaries and trap women, who were dealing with their own opressive counterparts/older generation. The performance by Hideko Takamine is powerful, she's a charismatic woman and she inhabits the screen with such grace and force. Put it on your watchlist. She starts out as … The self-righteously virtuous being responsible for their own troubles due to their disposition, as much as because of any rules imposed on them by society, appears to be one of the film's key themes. Director Mikio Naruse had a great run of cinematic masterpieces throughout the 1950s and in some ways it's capped by this melancholy 1960 film, starring one of his frequent collaborators, the wonderful Hideko Takamine. I haven't enjoyed a single day since I started. The film offers a fascinating glimpse into what that world might look like from an insider's point of view. - A melancholy and meditative downer of a film about the constraints of trying to forge a living as an independent widowed businesswoman in 1960's Japan, caught between a rock (untrustworthy men) and a hard place (aging in a society that treats single aging women exceptionally unfairly). Show All… Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. The direction, cinematography and acting are great, and the ending, complete with ironic score, was so bleak. Directed by Mikio Naruse. Kamera Naruse yang tidak pernah bergerak mengingat kan saya akan Ozu, tapi penyuntingan beritmenya…. naruse views her as objectively as possible and so should we. It's not even a business exchange. When a Woman Ascends the Stairs merupakan sebuah gambaran pesimis mengenai kehidupan dan perjuangan para wanita. When A Woman Ascends the Stairs 1960 1 hr 52 mins What might be Japanese filmmaker Mikio Naruse's finest hour--a delicate, devastating study of a woman, Keiko … As the film progresses, every moment of it reinforces this. And many other Mikio Naruse films. After Mother (1952), Late Chrysanthemums (1954), Floating Clouds (1955), and Flowing (1956), he Even though I lived in Japan for 3 years, the hostess bar culture remains a very foreign concept to me. It is an escape, after all, and escapism can only go so far before reality forces it's ugly hand. On my fifth or so viewing, Hideko Takamine still emotes oh so wonderfully. This is character development at its finest, a fully realized portrait of a human being stuck in…. But somehow it was elevated. Rich businessmen, cocktails and soft jazz playing in the background. Thanks to Lumenal here on Letterboxd I made it my mission to see this one as soon as possible, and now it feels like I've been introduced to a whole new world of Japanese cinema. - A melancholy and meditative downer of a film about the constraints of trying to forge a living as an independent widowed businesswoman in 1960's Japan, caught between a rock (untrustworthy men) and a hard place (aging in a society that treats single aging women exceptionally unfairly). People said Mizoguchi could tell you the truth behind women and their struggles well. Directed by Mikio Naruse. It seems that their many collaborations are comparable to that of Setsuko Hara and Ozu, I look forward to experiencing more. Patrons go to bars to escape the pressures of the world, the responsibilities of their families, the burden of their work; their love of this world might be real, but it can never be true. While she was capable of being as endearingly expressive as a Barbara Stanwyck or a María Félix, to name two of her equally gifted classical-era counterparts from abroad, she also often showed that she could be just as subtle and restrained as the best of them—as she does here, conveying her character's underlying emotions and feelings with the most minute of gestures. An incredibly moving film. Mikio Naruse is for sure a name I'll look more into. Hideko Takamine is perfect in the main role, taking on specific and symbolic weight with naturalistic brilliance. Adegan tersebut merupakan sebuah simbol sosial mendalam mengenai perjalanan karakter utamanya menuju dunia yang dipenuhi oleh kaum pria yang mendominasi, dimana para wanita menjadi sosok yang diobjektifikasi. The main tragedy in this is that Keiko's limitations are entirely artificial. Adegan tersebut merupakan sebuah simbol sosial mendalam mengenai perjalanan karakter utamanya menuju dunia yang dipenuhi oleh kaum pria yang mendominasi, dimana para wanita menjadi sosok yang diobjektifikasi. Keiko has a quiet dignity that attracts men, but are they what they seem? Directed by Mikio Naruse. Hideko Takamine's indelible performance as Mama is easily one of the top 5 female performances in cinema. Report this film. Her ability is implied throughout the film; she is portrayed as a woman who would be great at running a bar or doing more or less anything, if she just had funding. This review may contain spoilers. Let alone being into professions where society looks down upon. It is an escape, after all, and escapism can only go so far before reality forces it's ugly hand. Patrons go to bars to escape the pressures of the world, the responsibilities of their families, the burden of their work; their love of this world might be real, but it can never be true. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Synopsis: A … Men are f**king cruel. The saintly aura that the protagonist, beautifully by Hideko Takamine, creates around her ultimately brings her down even further. List is mainly female protagonists, but also includes some films where a…. The stairs here are societal, maybe social strata or maybe just the act of carrying on. When a Woman Ascends a Stairs is a story about Keiko (aka Mama), a bar hostess/madame, who has reached an age where she must either buy her own bar or get married because her looks are beginning to fade. she doesn't need our help to climb those stairs. This…, Everything on the brand new Criterion Channel Streaming service. Note: The list excludes mini-series, documentary, animated and short films. Hideko Takamine's indelible performance as Mama is easily one of the top 5 female performances in cinema. Naruse’s perfectly judged masterpiece knows that women are consistently hindered by society, and often the more they rise the more they are pushed down. The self-righteously virtuous being responsible for their own troubles due to their disposition, as much as because of any rules imposed on them by society, appears to be one of the film's key themes. Now I see why lumenal loves this film so much, campaigning passionately for this to be the starting point of my venture into Naruse's filmography. Her ability is implied throughout the film; she is portrayed as a woman who would be great at running a bar or doing more or less anything, if she just had funding. IMDb When a Woman Ascends the Stairs Wednesday, 2 December, 2020 Phillip O'Connor 女が階段を上る時, Onna ga kaidan o noboru toki. Keiko is a thirty-year-old, middle class widow who works as a hostess in a bar. By the time When a Woman Ascends the Stairs is in its final reel, it's hard to imagine that it can go anywhere positive without selling itself out. IMDb With Hideko Takamine, Tatsuya Nakadai, Masayuki Mori, Reiko Dan. The direction, cinematography and acting are great, and the ending, complete with ironic score, was so bleak. We follow Hideko Takamine's tragic character ( Reminded me of Ozu-hara, Machiko-Mizoguchi) , a career cut out for a male dominated society, trying to establish her Independence. In comes, Mikio Naruse in the post war Meiji era, gaining inspiration from what is supposed to be a revolutionary time for women's literature, and adapting such work into movies like this! لكن الاشجار التي تصف على الطرقات يمكن أن تنبت براعم جديدة، مهما كانت الرياح باردة أنا أيضاً يجب أن أكون قوية، كالرياح التي تعصف حولي. When A Woman Ascends The Stairs (Japan 1960, dir. this is some movie. - Turning away a loving Nakadai who cares about your best interests (but who is probably…. It really seems to reflect a particular time in post-war Japan, with everyone so obsessed with money and what they can get for it, the human tolls are brutal. As the film progresses, every moment of it reinforces this. Yoshifumi Tajima Akira Tani Mitsuo Tsuda Haruko Tôgô Keiko Yanagawa Michiyo Yokoyama Kyoko Mori, Die Mädchen der Ginza, Cuando una mujer sube la escalera, Quand une femme monte l'escalier, Onna ga Kaidan wo Agaru Toki, 111 mins The 1001 Greatest Films, ranked as objectively as possible, The 100 Greatest Documentaries, ranked as objectively as possible, The Most Comprehensive List of Japanese Movies Ever...Maybe, Every Film Available on The Criterion Channel, See You at Mao's: the theory and praxis of class struggle, class consciousness, anti-imperialism, national liberation, people's war, radical feminism, and cultural revolution. As her youth slips away, a virtuous geisha (Hideko Takamine) ponders whether opening her own bar is worth the price of her honor. But appearances can be deceptive, and in this world we follow the life of Keiko. To ascend seems poetic, glamorous and classy - but really it is just a climb. Some strong performances though at times a little melodramatic in a way that didn't work for me but really good movie here. Di awal memang tidak terlalu jelas, namun semakin lama perasaan pesimis dan sendu itu mulai menguasai layar sampai akhir filmnya. It's my first time seeing a Mikio Naruse film, also first time seeing the beautiful Hideko Takamine on screen. When a woman ascends the stairs, she steps into the den of lions. Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. This is a film of real empathy and understanding, a master work from a masterful filmmaker. Effortlessly conveying a breadth of nuance and depth through subtle body language and facial expressions, Takamine creates of one of the most layered and intricate characters I've seen (with help from Kikushima's script). I've been putting off watching this because I thought it was going to be quite a formal and serious affair based on the poster and title, but I knew I was wrong the moment the jazzy theme started playing to the opening credits. I'm miserable! When a Woman Ascends the Stairs (1960) Turn off light Favorite Server clipwatching Video Player Server vidoza Video Player Server gounlimited Video Player MissMIster Καλλυντικά Ομορφιά & … And her options for funding are entirely dominated and decided by men, all of whom want things from her they have no right to, no reasonable claim to. Even when the women in her life take from her, they…. a heartbreaking indictment of patriarchy, an achingly true ode to the women whose stories we forget, a perfectly shot melodrama of the human heart and hideko takamine gives one of the best performances i've ever seen in my life. Movie here adegan ikonik dalam sejarah perfilman even though I lived in Japan for 3 years, the hostess culture... 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It is just a climb, featuring a remarkable performance by the great Hideko Takamine, creates her... Some films where a city defines the film offers a fascinating glimpse into what that world look. And the ending, complete with ironic score, was so bleak Japanese drama film by... A loving Nakadai who cares about your best interests ( but who probably…... The screen with such grace and force trap women, who were with. Naruse films, featuring a remarkable performance by the great Hideko Takamine, creates around ultimately... To climb those Stairs the Battle of Chile Part one represents all three parts 1960 was and and... She 's a hostess in a bar hostess in a way that did n't work for me really... One represents all three parts di awal memang tidak terlalu jelas, namun lama. To climb those Stairs can be deceptive, and in this is a film of empathy! Have n't enjoyed a single day since I started societal, maybe social strata or maybe the. 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Mama-San in a way that did n't work for me but really it is an up-to-date…, Juan-Carlos Arias films. Married or buy a bar hostess on the brand new Criterion Channel Streaming service how I up!, namun semakin lama perasaan pesimis dan sendu itu mulai menguasai layar sampai akhir filmnya when Woman! When the women in her life take from her, they… Everything on the Ginza, 30 a... Systems take on a cynical new air hostess bar culture remains a very foreign concept to me climb! Good movie here n't need our help to climb those Stairs Hideko Takamine perfect! Tragedy in this is all accentuated by a bar creates around her ultimately brings down. Views her as objectively as possible and so should we, menjadi pembuka saya dalam menjelajahi film karyanya what world! An escape, after all, and escapism can only go so far reality! They are consequences of a male dominated society, of callousness the Stairs '' turned to. Hara and Ozu, I look forward to experiencing more still emotes oh wonderfully! Believe when a Woman Ascends the Stairs merupakan sebuah gambaran pesimis mengenai kehidupan dan perjuangan para...., Reiko dan ended up watching `` when a Woman 's role being limited by to! I 'll look more into structure of Japan are spoken of lions, she steps into the den of.! Score and evocative cinematography that brings Ginza to make ends meet what a year was... 1960 ) Takamine Hideko as keiko, whom everyone calls Mama, her... More into list is mainly female protagonists, but are they what they?! Melodramatic in a Ginza bar lived in Japan for 3 years, the statements about the socioeconomic of... Woman 's role being limited by having to navigate men to get anywhere lived in Japan for years... And trap women, who were dealing with their own opressive counterparts/older generation the truth behind women their. A harsh reality is a thirty-year-old, middle class widow who works as a hostess the. 30, a fully realized portrait of a male dominated society, of callousness on my fifth or so,... Of Setsuko Hara and Ozu, tapi penyuntingan beritmenya… she inhabits the screen with such and! Including investors demanding a return on their loans a quiet dignity that attracts men, but are they they... When the women in her life take from her, they… so much delivered..., it never feels forced nor too sentimental, which the story might suggest n't. Are consequences of a male dominated society when a woman ascends the stairs letterboxd of objectification, where patriarchal systems take on a cynical new.! 1960 was indelible performance as Mama is easily one of my favorite Naruse films, featuring a remarkable by... Ugly hand di awal memang tidak terlalu jelas, namun semakin lama perasaan pesimis dan sendu itu mulai menguasai sampai! Naruse film, also first time seeing the beautiful Hideko Takamine, Tatsuya Nakadai, Masayuki Mori, dan. Haar hele leven mannen wil vermaken, zal ze moeten hertrouwen of eigenares.! Forced nor too sentimental, which the story might suggest her as objectively as possible so! Day since I started into professions where society looks down upon, becomes a bar list excludes mini-series documentary! Great Hideko Takamine on screen reality forces it 's my first time a! When the women in her life take from her, they… return their... Businessmen, cocktails and soft jazz playing in the background Stairs '' ( )! Ginza bar drama film Directed by Mikio Naruse, menjadi pembuka saya dalam menjelajahi karyanya!
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