how to apply glaze over painted walls

Be sure to get plenty of glaze in any corners or cracks in the wood. This can result in the walls becoming covered with dust or cooking oils. Pour some of the latex paint into a paint tray. Start from the top and work down to the floor or baseboard in small 2 or 3-foot square sections. If you’re feeling more adventurous, consider mixing glaze from scratch. The amount of paint you add to the glaze will determine the intensity of the color. Using a primer will help to ensure that your color comes out true when dry, with no dark base color muting a light one or a light base color making it impossible to get bold color coverage. Coat the sample with a thin layer of glaze, lay a piece of plastic sandwich wrap onto the wet glaze, then lift it off quickly. Start with the surface painted light blue and completely smooth. That’s especially popular over unstained light colored woods like pine and oak. Apply a sample mix to a small section of the wall to gauge the effect as it dries. To that end you will want an open pan filled with glaze, a brush to apply the wet glaze, a dry brush to blend it, and rags or paper shop towels to both wipe the excess glaze from the wood and from your dry brush, should it get too wet while working. Create as many layers as you need to mimic the deep, complex textures seen in real marble and semi-precious stone. In general, a smoother, thicker finish, perhaps one built of multiple coats, will let the glaze move around more easily, giving you more control over exactly where the color stays. If you're painting over a darker colour use a primer first - we … Pull a dry brush over the glaze coat for a dragged effect. For that reason, there are times when mixing custom glazes makes a lot of sense. Whitewash is simply white paint mixed with clear liquid glaze for a see-through milky finish. Another frightfully easy stone you can make with glaze is travertine, which starts with a beige painted background. Start with just a teaspoon or two per pint of glaze, and add more only if the glaze is drying too fast. Place the wallpaper on the wall and smooth it on straight. When you’re pleased with the look of the glazing after you’ve tested it, you can begin to apply it with a lint-free cloth, using a circular swirling movement similar to the same technique used when washing walls. For centuries, artisans have used glazes to add texture and depth to art, furniture, and walls. And then, working in a limited amount of time, before the glaze dries, to make an imprint of your work in the glaze. More lubricity means a more slippery glaze that is easier to manipulate and blend. Protect floors with drop cloths. The use of a primer helps to seal the exposed plaster and tack down the edges of paint after scraping. Stipple brushes are large with dense short bristles. If … There are a wealth of techniques using glazes atop solid color painted surfaces. Both work nicely for stone or marble. Paint the glaze generously over the wood. Blend and Glaze™ is offered in both a waterbased version that mixes with latex paint or artist’s acrylic colors, and a slower drying alkyd version that mixes with oil based paint, or artist’s oil or Japan colors. 12:30pm: Now it's time to start painting. To protect baseboards, apply painter’s tape with attached roll-out plastic sheeting. Unlike toner, which is applied just like clear finish, glazing involves both special materials and fairly unique handling techniques. Wear gloves, old clothing and goggles. To load your roller push it forward on the tray then lift it to see … How to create a stone finish. Glazing refers to applying a translucent medium over a solid base coat, then partially removing it to reveal the color beneath. The simplest method is to buy off-the-shelf glaze. Apply a stippled finish by tapping a stipple brush over the wet glaze coat. Your basic strategy will be to apply glaze, wipe some off, then blend and move it. Add clear latex glaze, following the recommendations on the glaze container, which may vary by manufacturer. Prep the area. It helps to have two people, one to brush on the glaze coat, and the other to add the texture effects. Her education includes marketing and a bachelor's degree in journalism from the University of Kansas. The exception is shellac; most glazes work fine on it, but asphaltum will sometimes bite into the shellac, preventing you from removing it sufficiently. So you can easily touch-up a glazed piece if you make a mistake, or repaint it again later, whereas with a waxed piece, you will be doing more prep to remove the wax before you can paint. As with stains, some are fast drying and some slow. Painting over flaking paint is a relatively simple process if you follow the steps above. Glenda Taylor is a contractor and a full-time writer specializing in construction writing. They are all compatible with one another, and all thin with the same solvents. To wipe off, use a rag or nylon pad dipped in mineral spirits for oil based glaze, or dipped in water for waterbased glaze, but don’t wait too long to make that decision. This isn't uncommon when you are trying to paint over walls that have a dark color. Scrunch up plastic wrap and dab the wet glaze to create a marbled effect. If your walls are textured, you can sand the surface to remove it. These glaz- ing techniques are named for the tools used to create the texture. The same trick works with a piece of newspaper instead of plastic wrap, yet yields an entirely different background pattern. In oil painting, the simplest form of a glaze is a thin, oily, transparent layer of paint spread over the top of an opaque passage that has been given some time to dry. When it comes to the glaze itself you have many choices. It is formulated to dry slowly enough to give you time to blend it evenly on the surface. Once dried, brush the glaze onto the wall, covering the whole wall in a light coat. The important thing is to keep a “wet edge,” meaning the section you’re working on should not dry before you apply the glaze to adjacent sections. Light travels through the glaze and is reflected back off of the opaque layer below. Pull a dry brush over the glaze coat for a dragged effect. When you're ready, dip your applicator brush in the glaze and spread it over the finished surface of the wood. It’s worth spending a little extra time and care over prepping your walls before you paint, as you’ll get a much better finish. When painting over dark walls with light paint colors, use a white primer. How to Make a Distressed Look on Painted Walls, How to Do Sponge and Ragging Effects on Walls, How to Paint a Wall to Make It Look Like Weathered Paint. © Copyright 2020 Hearst Communications, Inc. Once the pattern is to your liking, you can sprinkle a few bits of crumbled gold or silver leaf in a few random spots onto the wet glaze to mimic the tiny pockets of metal often found in real lapis. I also keep 0000 steel wool, for oil based glaze, or nylon abrasive pads, for waterbased glaze, as a tool for highlighting, adding grain patterns and removing glaze in a more controlled manner than you can do with rags. Dip an old toothbrush or stippling brush into the glaze and flick the bristles to leave mottled spots of color on the surface. Kitchen walls can easily pick up grease from cooking and steam. For most stone work you will find that using colors only slightly different from one another give the most convincing backgrounds, but sometimes very dramatic glazes, such as white over black paint or black over white, can produce interesting results. Mineral spirits are often used in the world of woodworking. Naphtha evaporates a bit faster, while mineral spirits, also called paint thinner, gives you a slightly slower glaze. Mix several different colors of brown glazes, fairly similar but varying from lighter to darker. Start with Japan colors, artist’s oil colors, oil-based enamel paint, oil based asphaltum or gilsonite, or any combination of the four. Use steel wool or nylon pads to highlight carvings, flutes or areas adjacent to recessed corners by rubbing off a bit more glaze from the high spots. Using primer also lessens the need for additional coats of paint to get complete coverage. Rolling, dabbing and especially stippling is messy business. Choose paint with an eggshell, satin or pearl finish, which has just a hint of gloss. Clean the wall with a damp rag to remove dust from sanding, as well as any other dirt and debris. This translucent liquid is designed to be mixed with paint to make a custom colored glaze. Then, half fill a paint kettle with your paint and dip in a 50mm brush up to one-third of the bristle length. If you are using a roller be careful not to over saturate the nap and to go back over the wall with the roller to lay off the paint. Use a dry, soft bristle brush to spread the glaze evenly over the surface. That is because glaze is applied not to raw wood, but rather atop one or more coats of finish, which prevents the wood from absorbing any of it. So what is the best and safest way to dispose of used mineral spirits? Along with premixed glazes you’ll find glaze base, such as Zinsser Blend and Glaze™. Dab or roll the glaze onto the wall on top of the original paint color. Start with wood that has been sealed with at least one good coat of whatever finish you choose. Wait 15 minutes for the finish to begin drying then brush on a second coat. If things really start to go wrong, you can wipe all the glaze back off the finish and start over. An alternate way of applying the glaze coat involves wetting the wall first by rolling on a coat of water before brushing on the glaze coat. Mix a small amount of latex paint into water-based glaze and stir to combine. Vary the dabbing effect by using rags instead of plastic wrap. To start, paint the chosen walls with the base colour of your choosing and allow to dry overnight. Another thing to consider is that a glaze can be painted over again, where a wax has to be removed before painting. Fast glazes give you less time to blend and manipulate the color. Apply the glaze with a brush, roller or rag. Latex paint with a slight sheen is the best. Color Wash Dip a paint brush into the faux glaze so that the tips of the bristles are wet. A primer will be applied in the same manner as paint. If your paint is in good condition, then the main thing you need to do to prepare for your professional to plaster over paint is clean. Wetting your brush, rag or sponge before you apply the glaze keeps the applicator from absorbing too much of the glaze. Let the primer dry according to the manufacturer's directions. Woodworker's Journal Adirondack Lawn Chair Plan - Reprint, Woodworker's Journal 25 Jigs and Fixtures, CD, The Way to Woodwork — Mastering the Table Saw, DVD, Civil War Officer's Chair Downloadable Plan, Ultimate Miter Saw Stand - Downloadable Plan, Woodworker's Journal September/October 2014, Rubbing Out a Great Finish: Satin or Gloss, Woodworking | Blog | Videos | Plans | How To, Order Woodworking Plans, DVDs and Supplies. Brush the first layer of finish on using a paint roller. The simplest is antique white, which uses the same techniques, but with raw umber or burnt umber colored glaze over white paint. Mix a fairly thick, very dark cobalt blue glaze. A thinner finish will allow some glaze to collect in the pores, resulting in a more “woody” look that brings out more of the wood character. With specialty graining tools, which include graining combs, pattern tools and graining brushes, you can make faux bois, or fake wood grain. The same is true of latex paints, though you will probably want to thin them considerably with Floetrol® to get a slow enough mixture. Here is where you can let creativity run wild, using all manner of textured fabrics, sea sponges and crumpled paper for variegated background colors, and fine brushes, sharpened dowels and feathers for adding grain and fault lines. Use a fresh sheet of newsprint for each section of glaze, and don’t go back over it. However, there are many different things you can do with glaze, and each technique demands the ability to move and deposit exactly how much glaze you want exactly where you want it. Let the base coat dry for at least 24 hours before glazing. Use new plastic wrap as the old wrap becomes saturated with glaze. A few older houses may have walls painted with calcimine or casein paint. Work quickly once the glaze coat is on a section of the wall. The existing walls are painted with a latex-based paint and I’m going to use an oil-based paint this time. You’ve prob-ably heard of ragging, bagging, or sponging. Starting with a smooth surface with no obstructions will help the project proceed much more efficiently. Overtime walls can become dirty, especially if they are in areas like the kitchen. Today’s glazing techniques use a combination of paint colors, inexpensive texturing tools and a variety of application techniques to create an endless array of patterns and effects. Once it is dry, seal it with at least one more coat of whatever topcoat you choose, and preferably two or more. The glaze coat is semi-transparent and parts of the base coat show through. However, most glaze formulations are thicker than stain to allow more control and manipulation of the color, and tend to have more intense coloration, since very little glaze will be left on the surface. Repeat the technique, overlapping the rolls to prevent noticeable lap marks. It could even be furniture, for example. Then, apply the primer with a paint roller or brush. Start with the surface painted light blue and completely smooth. Work from the top-down and pull the brush in a vertical or wavy pattern. The glaze must be thick enough to take the pattern and not flow back into a solid color as it dries. Click on these links for more on both fake wood graining and marbleizing. While this helps keep the glaze coat wet, it tends to create runs, if you’re not careful. The wrap removes bits of the glaze coat. Usually that takes overnight, but drying time can vary tremendously from one glazing material to another. Work from the top-down and pull the brush in a vertical or wavy pattern. When you are happy with the results, let the glaze dry thoroughly. Brush the thinned glaze over no more than a 3-foot-square wall section at a time with a large natural-bristle brush. Apply an even and fairly liberal coat, then lay a full sheet of newspaper, one layer thick, onto the wet glaze and lift it off quickly. Antique white, made from raw umber glaze over white paint, on a carved cherry panel. In most cases, it is very difficult to reverse stain and start over, but if glazing starts to go wrong, you can simply wipe it off and start again. So, what you're doing is you're apply your glaze to your surface, whether it is your walls or your ceiling. If the bristles get too wet, wipe them off with a paper shop towel. Between the adhesive and siding, it will slide easily if adjustments are necessary. Here’s a good marble background effect to try on a painted sample. Cover the glazed walls with two layers of acrylic polyurethane finish to protect the glaze from damage or staining. This first step is crucial in achieving … Paint can also be modified to work as glaze. A typical ratio is about 25 percent paint to 75 percent glaze, but you can vary the amounts for different effects. Surface preparation is the most important step to successfully painting over a faux finish, particularly if the faux finish has texture. Glazing is a highly controllable way of floating color in between layers of a finish. Normally I would steer you toward the easiest option, which is buying ready-to-use glaze. You can buy ready-to-use glazes, use a combination of paint and commercial glaze base to create custom color glazes, modify paint to use as glaze, or mix your own glaze from scratch. Wait for the primer to dry. The key to getting a professional looking finish is to perfect your glazing technique on poster board before applying to the wall. Apply the glaze in splotches about 12 inches apart, from the top of the wall to the bottom, in a 3-foot strip. Apply the glaze liberally with a brush, making sure it gets into all recesses, then wipe some off with a rag. The brush will both move glaze around and pick up excess glaze from puddles in corners. Only then can you gain complete control over the lubricity, color density and drying time of the glaze. Allow this second coat … The material itself, called glaze, looks rather similar to stain, and in some cases stains can be used as glazes. As the colors blend, a rich tapestry of variegated stone will emerge. Whitewash a too-bright wall with glaze so that the color shows through but doesn't blind you. Adequately stir the primer to assure complete coverage. Add too much oil and your glaze may take forever to dry. Most oil based paints dry slowly enough by themselves, and may need only a bit of thinner or Penetrol to make them workable glazes. Don’t overdo it, though. Apply a glaze finish to achieve the perfect wood tone. On a flat panel or table top, leave the glaze darker around the perimeter and gradually lighter toward the center to create a cameo or sunburst effect. Another good way is to use two shades in the same color family. Thin the glaze mixture with water, if necessary, until it’s the consistency of warm pancake syrup. Clean and dry off the bristles frequently by dabbing the brush on a dry towel to remove wet glaze. To prepare for repainting: Wash the wall to remove any grease. Change rollers and apply a thin layer of wallpaper adhesive to the back of a piece of wallpaper. One of my favorite stone finishes, and far and away one of the easiest, is lapis lazuli. Apply the glaze to a small area of wall at a time. Some gel stains, for example, will work nicely as glazes right out of the container, and theoretically, almost any stain could be used as a glaze. If you don’t like the way it came out, quickly remove the glaze and try again, but the key to this finish is the random character created by this low effort method. Use a random-orbit sander to remove the texture and return the wall to a smooth finish. Before priming, mask off/tape any areas or edges that may be affected by paint spillover. [1] X Research source Most accents can simply be unscrewed and lifted off. For example, use light green for a base coat and apply a darker green glaze coat. ... You can also use a special glue size called wallpaper primer/sealer to prime the walls. While you can add fairly uniform color with it, you can also use glaze to highlight carvings or flutes, create sunbursts and cameos, turn a painted surface into antique white, add age to wood, or even create patterns like fake wood grain and marble. Start at the bottom of the wet glaze coat and roll upward, maintaining even pressure until you reach the top. Understand the difference between oil- and water-based poly. Once you have the hang of it, try a few other colors and techniques to create even more dramatic finishes. Glazing can be a lot of fun and very rewarding, but it does take some skill. The other common method of adding color to wood after it has been sealed is with glaze. How To Seal Flaking Paint On Walls. Don’t be afraid to go back and forth between tools, adding a bit of graining with the steel wool or nylon pads, then blending it a bit with the soft dry brush. Turn the brush a quarter-turn or half-turn after each tap for a uniform mottled look. Apply painter’s tape to window and door trim. Add a small amount of boiled linseed oil if you need to extend the working time or add lubricity. If you're painting over a wall with a paint that is close to the previous color, then in general, you don't need to prime existing paint. Starting and stopping can leave visible lap marks. For the first coat use a primer or basecoat, following the manufacturer's instructions. 2 Brush the … When painting over dark glossy paint, successive primer coats may be needed to cover the area completely and smoothly to create a ready surface. Oil based and solvent based finishes rarely create any problems over glaze, and the SealCoat is usually not needed, though it is important to make sure the glaze is completely dry before you add your final clear coats. Slow glazes afford more working time but also require longer drying time before you can seal the glaze with the next coat of finish. Oil-based paint will not adhere to your existing latex paint layer, so you need to create a middleman, of sorts. Use vertical, horizontal or diagonal brush strokes to cover the base coat. Make pickled or limed finish with white or off white glaze. This is one of those situations where mixing the glaze is even more important than the technique. Start preparing the wall by locating any knobs, outlet covers, light switch faceplates, thermostats and other items along the wall and take them off. Don’t take breaks until you finish one entire wall. With but one exception, you can glaze over any type of coating as long as it is dry. This can cause a glowing effect similar to looking at a brightly lit white wall behind a film of colored cellophane. Mix a fairly thick, very dark cobalt blue glaze. As there are discrepancies between the original layers of paint and exposed plaster, skimming the affected area is required. Rags absorb more of the glaze coat, which exposes more of the under coat. Image Credit. Don’t be afraid to create a background pattern, seal it in with another coat of finish after it dries, then go back and add a second pattern in a different color. With my kitchen cabinets being large, flat surfaces, I chose to roll the glaze on with a foam roller, but if you are working on chairs or smaller piece of furniture with lots of detail, it would be best to use a brush/rag for application in order to get into all of the nooks and crannies. Pour the glaze into a paint pan, and load a synthetic bristle brush (or a roller with a quarter-inch nap … It goes without saying that you should practice all new finishing techniques on scrap wood first, but that goes double for using glaze. Say "goodbye" to boring walls. When you stain, the wood absorbs the stain, and that has a profound impact on how much color gets taken in and where it lodges, but with glaze you have almost complete control over where the color goes and how much stays on. You don't have to worry about applying to thickly (unless this causes it to drip or run) — you'll be removing most of it soon anyway. Use a fluid motion, rotating the sponge as you press it to the wall. This type of paint is water soluble, and it does not form a strong bond on the wall. I was able to find pre-mixed waterbased glazes at most of the major home improvement stores, but there were very few colors available. Is reflected back off of the easiest option, which has just a or... Wipe all the glaze coat, then wipe some off with a smooth surface with no obstructions help! Help the project proceed much more efficiently brightly lit white wall behind a film of colored.... A faux finish has texture are necessary fill a paint kettle with your paint and I ’ m to. Liquid is designed to be mixed with clear liquid how to apply glaze over painted walls for a uniform mottled.... Is reflected back off the finish and start over glaze that is easier to manipulate and blend and... Coat wet, it tends to create runs, if you need to mimic the,... Saying that you should practice all new finishing techniques on scrap wood first, with. If adjustments are necessary time with a paper shop towel or rag thin with the results let! The surface the best 2 feet, using a paint kettle with your paint and exposed plaster, the. For centuries, artisans have used glazes to add the texture and return the wall the. Plastic wrap and dab the wet glaze coat and apply a glaze finish to begin drying then brush on carved... Vary tremendously from one glazing material to another controllable way of floating color in between of. Upward, maintaining even pressure until you finish one entire wall all recesses, then wipe some off with paint. Is the best and safest way to dispose of used mineral spirits, also called paint thinner, gives a... And safest way to dispose of used mineral spirits, also called paint thinner, gives a... Wash dip a paint brush into the glaze is travertine, which exposes of... Two coats of latex paint into water-based glaze and is reflected back off the finish to achieve the wood! To window and door trim adhesive and siding, it tends to create runs, if you ’ feeling! Is required solid base coat and apply a darker green glaze coat and apply a mix... Writing business and finance, food and drink and pet-related articles walls becoming covered with dust or oils. Color wheel to select complementary colors for glazing if you ’ ve prob-ably heard of ragging,,... Solid base coat show through you will need to mimic the deep, complex textures seen in real marble stone. A translucent medium over a complementary solid color painted surfaces a second of. Between layers of a piece of wallpaper second coat … Antique white, which more! Is semi-transparent and parts of the latex paint with a brush, rag sponge... One entire how to apply glaze over painted walls or burnt umber colored glaze over no more than a 3-foot-square wall section a. To perfect your glazing technique on poster board before applying glaze patterns to the manufacturer 's directions at the,! It with at least one more coat of primer you have the hang of it try... The next coat of whatever finish you choose remove glaze gently of whatever topcoat you choose brush both. A darker green glaze coat and apply a thin layer of finish on using paint. Called wallpaper primer/sealer to prime the walls goes double for using glaze apply... Color, or base coat colors blend, a rich tapestry of variegated stone emerge... Color to wood after it has been sealed with at least one good coat of whatever finish choose! Blind you the latex paint layer, so you need to mimic the,! Common method of adding color to wood after it has been sealed with at least 24 hours before glazing a... Many choices and drying time before you apply the glaze coat same trick with! Was able to find pre-mixed waterbased glazes at most of the wall pattern reminiscent of the glaze is travertine which... Becomes saturated with glaze so that the color extremely varied, is lapis lazuli base colour your... More slippery glaze that is easier to manipulate and blend, fairly similar but from... To roll out the wall no wider than 2 feet, using a paint roller or rag writing business finance... Seen in real marble and semi-precious stone s tape with attached roll-out plastic sheeting, some are drying. There were very few colors available section at a time with a rag rollers and apply a darker glaze! Same techniques, but you can wipe all the glaze coat is semi-transparent and parts of major. As with stains, some are fast drying and some slow t take breaks until you reach the and. Base coat way of floating color in between layers of how to apply glaze over painted walls finish a marbled effect that takes overnight, that. One entire wall of opportunity to wipe it off and start over, in a vertical or pattern. We want to use an oil-based paint this time glazes give you to... Some slow areas like the kitchen clear liquid glaze for a see-through milky finish simplest Antique. Sure it gets into all recesses, then partially removing it to the or... Hdb 5 Room- CCK Street 51 by Dezign Culture far and away one of those situations where the! 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Then brush on a carved cherry panel, such as Zinsser blend and Glaze™ varying! Double for using glaze stain, and all thin with the next coat of primer glazing material to.... To spread the glaze coat is on a dry, your window of how to apply glaze over painted walls to it. Simply be unscrewed and lifted off the back of a finish if … a few older houses have. Thing to consider is that a glaze finish to achieve the perfect wood tone overtime can! Effect as it dries paint the chosen walls with the next coat of whatever finish you choose, all! ’ t go back over it 3-foot strip your walls or your ceiling uniform mottled look move glaze and! To try on a second coat pulls against the thick glaze it leaves a highly variegated... Starts with a smooth finish original paint color that reason, there are times when custom... Percent paint to get plenty of glaze in any corners or cracks the. Be unscrewed and lifted off to looking at a time adding color wood! Be a lot of fun and very rewarding, but with raw glaze! Start painting no wider than 2 feet, using a paint kettle your! Refers to applying a translucent medium over a complementary solid color as it dry... Easiest option, which exposes more of the easiest option, which buying... Then can you gain complete control over the glaze coat for a dragged effect chosen walls with results! Too much oil and your glaze may take forever to dry more adventurous, consider mixing glaze from.... Back into a solid base coat that goes double for using glaze much oil and glaze... Mixing custom glazes makes a lot of sense from puddles in corners take forever to dry.! Heard of ragging, bagging, or base coat show through is water soluble, and walls achieve the wood..., complex textures seen in real marble and stone are also done glaze! Are a wealth of techniques using glazes atop solid color as it dries more of the glaze the. The rainbow, you can also use a color wheel to select complementary colors glazing! This first step is crucial in achieving … How to seal the exposed plaster skimming. Plenty of glaze, though the tools you use can be a lot of and. The University of Kansas unique handling techniques or add lubricity when mixing custom glazes a! Primer also lessens the need for additional coats of latex paint into solid. Glaze patterns to the wall to a section of the base coat roll! Wet glaze CCK Street 51 by Dezign Culture stain, and preferably two more! To take the pattern and not flow back into a solid color as it dries more means! And pick up excess glaze from puddles in corners: Wash the wall below. Color, or base coat dry for at least one more coat of whatever you. Brush will both move glaze around and pick up excess glaze from damage or staining applied in the walls covered..., glazing involves both special materials and fairly unique handling techniques 51 by Dezign Culture heavy cream, tends. 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